This stunning peony-patchouli vies for the same complexity of character—the seduction lasts long before the first notes of mandarin and rhubarb, developing into a heady olfactive brew underlined by blond woods and liquid musks.
Both the Myth and Raven note descriptions said that I’m supposed to smell patchouli, and while I got a bit of patchouli in Myth in the base as promised, it is the belle of the ball in Raven. It starts off sweet and creamy, with a sharpness like a tart apple, and then a sort of dogwood kind of woody. All of which play their part in the dry down as well in various strengths.
Then the patchouli has pulled its boots on and really gets everything going.
Piano as an accompaniment to string today! I think I first heard this song when I was 16, though I don’t quite remember why. I try not to question discoveries of beauty.
Norihiro Tsuro’s Last Carnival, from the Acoustic Cafe album
Field Notes From Paris
Wet: lavender, coriander, citrus, leather, wood
Dry: coriander, lavender, tobacco flower, patchouli, cedar, tonka bean, lime, maybe a little rosemary
This is my new sexy scent, directly in competition with all of the jasmine I adore. It’s incredibly delightful: deep, dark, and warm, as well as complex. It moves in a swirl like a gust of warm wind, something absolutely welcome in this frigid cold. Strangely, it’s the herbs, the coriander and the bit of rosemary I get that reminds me most of the coffee implied in the description, though the tobacco comes through and keeps the fragrance warm. I love that its sweetness is wholly tempered, and it gives it depth and dimension that I don’t normally come across. It reminds me of bedroom eyes on an attractive person, or simply a person you’re in love with, as love automatically makes them beautiful.
I wear this personally, and I think this is a scent that benefits from a little dancing and sweat, but it’s a beautiful scent and I can see it on a guy who isn’t afraid to wear purple, and is trained in some art or another, which he pursues with passion.