Mm, no soap in this one, and perhaps it’s because I was doing my homework while sipping a merlot, but this was a lovely pairing; both slightly sweet, the perfume sweeter, but both plummy, with a little bit of a bite. At first the image in my head was a tragically spilled glass of wine ruining some gloves on an expensive desk. It changed after a while into a woman eating fragrant pit fruits with her gloves still on over the same expensive desk, which is not really the appropriate table to be eating dripping fruit on. Which I guess it the point; it’s just a little inappropriate. And I like it. I may be biased since I’m a brunette, but this is a brunette lover’s scent through and through. Brunette, dark gem colors, hooded eyelids.
Derring-Do doesn’t smell like soap! I’m so happy. With the cedar and the aquatic notes I get from this, it seems like more of a masculine scent, if only because these are notes marketed within the male fragrance sphere. It’s warm and a little sweet from the floral and pepper notes, and while it’s a little complex right up to the nose, it’s fairly harmless from afar. Like an every man’s kind of scent, and not in a bad way. This would be quite welcome in an office full of Acqua di Gio and Ralph Lauren, but it probably wouldn’t really stand out. It’s warm and clean, and a scent that’s comfortable and inviting. Perhaps this would be best on a young man wearing a navy blue sweater vest.
It’s that musk again interfering with my enjoyment of this scent. It would otherwise be a rather nice cheerful, bright scent, but the musk makes it smell like a combination of Pledge and roasted tomatoes after two hours. Very strange. I don’t understand it very well, but it’s kind of tasty in that weird “maybe I’ll just take one bite” kind of way. It eventually gets softer and the peony takes over, and it becomes much less “odd tomato tart” and more “flower salad dressed with lemon vinaigrette” with pepper notes, and would probably smell fantastic on someone who uses a lot of cocoa butter on the daily.
I don’t know what type of musk Ineke uses, but the scents are all so soapy on me. This one’s a little less so, and the oakmoss I think really helps to counter the weird, soapy musk. The notes online don’t indicate any sort of citrus, but the lime for me is front and center, though I don’t know what freesia smells like. It reminds me of times on the slip and slide, the squashed grass and mud mixing with the smell of detergent or bubble soap or whatever was mixed into the water to give it a slick quality, but it’s definitely cleaner and prettier, as if we were engaging in the activity in a field of wildflowers.
This reminds me of a gift soap shaped in the form of a bouquet of purple flowers of all shapes that my family was once given. I loved that soap because it was purple (and not pink) and it smelled like flowers, which I had a vested interest in from a young age. I used to format huge guides of flowers, their pictures, and their meanings and print them out on our home printer. This is a nice memory of those times, but the musk makes this stay rather soapy on me, and I unfortunately can’t see myself wearing it. For those who don’t mind the soap however, it’s a really fresh lilac fragrance, a little creamy, not too sweet, and because of the soap, really quite clean.
I don’t really like country music in the first place, but that was kind of fun. This Sir Mashalot, not to be confused with Sir Mix-a-Lot of “Baby Got Back” fame, is apparently Gregory Todd, who is a singer-songwriter and was on the news for writing a song for his friend who needed a heart transplant.
Basically, Tasha (legally, Yoonmirae, but I know her as the stage name Tasha and I like it), an old-school KPop/KRap star from the US is suing Sony for the use of her song “Payday” in The Interview. “Payday” is a great song, so I understand why they used it, and it makes sense in context when you read the lyrics. But, of course, the issue is that they didn’t get permission, and I’m pretty sure no SK star wants to be associated with something as belligerent to NK as The Interview. Especially if they don’t even technically have a stake in it, because Tasha is a quarter black, a quarter white, and from the US.
There have been a few weak responses surrounding this, including that she samples “a” Jackson5 song in “Payday”, and that Sony owns the rights to Jackson5 music, but I’m pretty sure, since no one I’ve read so far has been able to identify which song, it would fall under fair use because what’s sampled is too little to prosecute.
And anyway, music companies don’t even go after South Korean anymore because of the 2011 Korean Copyright Act, which opened up seemingly all copyrighted music to be used without the copyrighter’s permission. Whether or not this is only in-country (which I’m leaning towards) or not is unclear, though I’m sure it makes much harder for indie groups to succeed, which is unfortunate. This, of course, does not apply to Sony, because Sony is a Japanese company and the movie is a US movie; they still have to comply with international fair use laws and whatever they have in their system, and since the US is one of the only countries to fully recognize fair use, well.
With that in mind, there’s one more KPop-related scandal I wanted to touch upon. I’m not quite sure what the intention of the allegations are, since allegations against KPop stars don’t usually work out, and it can’t be publicity because taking on KPop fans is a bad idea (Mr. Bullock’s single is now rated 1 star on iTunes), but apparently YG is taking countermeasures against the allegations and it’s going to be fun to see a small guy take on one of the big three. It’s usually just Sony.